August 1st, 2023
Blur Returns With ‘The Ballad Of Darren’ The band’s 9th album is a short, subdued affairBy: Malachi Lui
And so it starts again with a ballad. One that Damon Albarn started 20 years ago as, literally, “Half A Song,” finished at the urge of bodyguard Darren ‘Smoggy’ Evans and now the opening track on The Ballad Of Darren, Blur’s first album in eight years. Albarn has written many ballads, probably a few too many: about love, about sadness, about England. Yet “The Ballad” stands out in how defeated it is, especially as the opener for such an anticipated record. It signals... Read More
March 31st, 2023
The Zombies Play a "Different Game" The British Invasion Stalwarts Enjoy an Energetic Creative BurstBy: Evan Toth
Upon reaching a certain age, it’s inevitable to ponder the impending end of the run, to embrace - as Warren Zevon once wryly observed - the importance of enjoying every sandwich. Unfortunately, these thoughts aren’t reserved only for card-carrying members of the octogenarian or nonagenarian membership club. The reality is that this experience of life is something that humans of all ages should appreciate, explore and enjoy. After all, one never knows how long a life... Read More
February 13th, 2023
The Cure's "Wish" finally back on vinyl after 30 years It's Friday, but I'm not in love.By: Michael Johnson
"Wish", by English gothic rock band The Cure, was released just three months before I was born in 1992, and while this album might coincide with the beginning of my time on this earth, for The Cure, "Wish" was the bookend on a fruitful period of pop dominance in the late 80s. The band that once assembled barren, bleak post-punk landscapes on albums like "Faith" and "Pornography" had, by 1985, with the release of "Head on... Read More
September 17th, 2022
Supergrass' Ambitious And Likeable 'I Should Coco' From the archives: Michael Fremer's original review of Supergrass' 'I Should Coco'By: Michael Fremer
(This review originally appeared in Issue 7, Spring 1996.)It was only a matter of time before an alternative to “alternative” music’s dreary sound would emerge, and over the past few months it has—in the form of Britpop, with bands like Oasis, Pulp and Supergrass gaining not just “underground” popularity, but major chart action—something the last British wave, the “Manchester sound,” never achieved.Of all the bands leading the new British pop invasion, the one I find... Read More