The speculation below re digital is wrong. Patrick Milligan commented on an unboxing video that it’s from tape. I stand corrected and sorry I didn’t see obscure unboxing video. However, I stand by my sound comments. These records don’t sound great compared to previously released versions and the compression is noticeable and unwelcomed. Compared to nothing I’m sure they will sound okay. And glad they are cut from tape.The four albums in this box document an artist on... Read More

(This review, written by Carl E. Baugher, originally appeared in Issue 7, Spring 1996.)Don’t laugh, this is not just a novelty record—it’s actually a helluva musical album. Jim Turner is an amazing virtuoso with the ol’ crosscut and he never lapses into sound effects or cheap diddling. The album is a jumble of classical and folk music with Turner’s high-pitched saw at the center of some pretty fine acoustic recordings. The folk stuff is especially good.You gotta hear... Read More

When Anthony Wilson is not on the road playing jazz guitar, he sometimes steps into a recording booth and exits Clark Kent-like as a sensitive ‘70s era singer/songwriter.For those more accustomed to Wilson backing Diana Krall or leading jazz ensembles on a series of Groove Note releases or providing orchestrations and/or playing on dozens of studio dates (for instance on Paul McCartney’s “Kisses on the Bottom”), his sumptuously packaged, sensitively drawn 2019 Songs... Read More

There was a time when you could buy a label's output and be confident you'd made a quality record purchase without hearing the music. Labels that managed this late '60s/early '70's feat included Elektra, Warner Brothers/Reprise, Island and David Geffen's Asylum Records. You could buy with confidence Love's debut, The Doors, Jackson Browne's Saturate Before Using, Traffic's Mr. Fantasy, Cat Stevens' Mona Bone Jakon, for... Read More

(This review, written by Carl E. Baugher, originally appeared in Issue 5/6, Winter 1995/96.)It’s taken him some 20 years or so but Bruce Springsteen has finally delivered his masterpiece. Make no mistake: he’s done a ton of good work over the years. But, this is the album he’s been working towards his whole career. And there’s not a single rock song on it! Here’s evidence beyond a shadow of a doubt that the lineage which runs through Woody Guthrie and Bob Dylan... Read More

(This review originally appeared in Issue 7, Spring 1996.)The question is, how far are you willing to climb to reach a pure source? Do you want the water as it exits from a fissure in the rocks? Or is a filtered five gallon bottle delivered to your back door good enough for you?Which are you more comfortable with? PJ Harvey? Or Alanis Morissette? Fresh or packaged? What you’ll get here is drawn straight from the pure stream of Will Oldham’s cosmic ether. Oldham is a... Read More

"This project is dedicated to the memories of all the other voices no longer traversing our earthbound radio airwaves...we will sing your songs often, with great pride..."

So begin the liner notes to this west Texas-bred folk singer's fifteenth album, and sequel to 1993's highly regarded "OtherVoices/Other Rooms" (Elektra 61464-2), though this new disc betters it with greater diversity of style (solo-duet-chorus), song, and performers as well as sheer beauty of production.