March 25th, 2024
Dance On the Ceiling With Vanessa Fernandez! don't let the forlorn cover shot fool you!By: Michael Fremer
Not since Veronica Swift's This Bitter Earth (Mack Avenue MAC1177LP) has a record cover been so at odds with what's in the grooves as this filled with funky covers Groove Note title from Vanessa Fernandez. Think of it this way: there are eleven tunes here from Childish Gambino, Prince, Lenny Kravitz, Barry White, Maurice White and a few others and the mostly celebratory funk is in the air (with a mellow stop over in Bill Withers territory), produced by a... Read More
August 21st, 2023
Rhino High Fidelity Reissues The Still Essential Van Morrison's "His Band And The Street Choir" sounds better than ever and the original RL Sterling cut was outstandingBy: Michael Fremer
Van Morrison grew up listening to American blues and soul music courtesy of his father, a Belfast shipyard worker with excellent musical taste. No surprise that he moved to America and probably not because The Shadows of Knight's version of "Gloria" became a bigger hit in the USA than did his own version with "Them" released by U.K. Decca in 1964 as the "B" side of "Baby Please Don't Go". In 1965 with the American... Read More
May 14th, 2023
Tatsuro Yamashita's For You, Back on Vinyl For the First Time in 40 Years this "City Pop" classic "sparkles"By: Michael Johnson
One of the most fanatical groups of record collectors to emerge in the past decade are the (primarily western) devotees of a genre of Japanese popular music from the late 1970s and 80s, dubbed retroactively as ‘City Pop.’ City Pop, or in Japanese Shiti poppu (no I am not making that up), comprises a musical collective of soft rock, soul, R&B, funk, and disco artists whose rise in popularity and output mirrors the economic boom of the late 70s that transformed... Read More
March 1st, 2023
Gil Scott-Heron’s ‘Pieces Of A Man’ Reissued On AAA Vinyl BGP’s 45 rpm edition of this essential album is a stunning revelationBy: Malachi Lui
Gil Scott-Heron’s Pieces Of A Man shouldn’t be relevant anymore. That is, it shouldn’t have to be relevant anymore, but it unfortunately still is. Since its 1971 release, its themes of racism, poverty, addiction, and the slight hope for a better future have retained a visceral urgency; partly because of Scott-Heron’s brilliant lyrics and powerful performances, and also because over 50 years later, the issues he wrote about continually worsen.Released on producer Bob... Read More