Music Reviews: Acoustic

When someone has worked with a Beatle, they've no doubt reached a certain career pinnacle. It may be in film, audio, art, or elsewhere, it doesn’t matter what field, Beatles don’t work with folks who are second best. When it comes to music, however, this is Mt. Everest. To be given the opportunity to create music with a Beatle is what rock and roll dreams are made of. As an added bonus, you can be sure that the contributions you’ve made to the recording will be... Read More

Let's go directly to the sound because to wring something new from the music, especially to this audience, is a time waster. Play a half-dozen editions of Crosby, Stills & Nash and you'll hear six wildly different sonic presentations. Which is "correct"? There's no "artists intent" on this one, there are just different takes depending upon who's doing the mastering and pressing—and even then there are wild variations.... Read More

Where to start here? They still can't spell the late Doug Sax's name correctly so let's start there. It's not "Sachs". They made a mistach on the original, understood. If they repeated it to preserve the jacket's "authenticity", then why add the additional credits? But more to the point, why take a wonderful, magical recording, with depth, space, transparency, transient purity, shimmer, delicacy, three-dimensionality and... Read More

Vashti Bunyans's Just Another Diamond Day (1970) and Terry Callier's The New Folk Sound of Terry Callier (1965) are classic, collectible folk records from artists who never got their deserved attention. Both have been reissued by The Electric Recording Company, makers of limited and very expensive reissues of often quite rare recordings.

Two new LPs from Yarlung Records offer great sound and even greater performances.

ECM is arguably the most influential jazz label since the heydays of Blue Note and Impulse!. The German label recently announced Luminessence, its first ever audiophile vinyl reissue series. The two first releases, reviewed here, are Kenny Wheeler's Gnu High and Nana Vasconcelos' Saudades.

Almost no one asked for 2014’s spotty, blandly produced 'Songs Of Innocence' to be shoved into their iTunes library, and even fewer asked for a nearly three-hour compendium of mostly acoustic rerecordings from the catalog. Of course, U2’s latest project 'Songs Of Surrender,' conceived by The Edge and billed as a companion to Bono’s aforementioned book, is exactly that.