Music Reviews

The best reissues provide fuller context to the material, guiding listeners to (even) more favorably reassess the work without seeming forceful. As more recent installments have generally grown in size and curation quality, the series has become essential for anyone with more than a passing interest in Dylan. The latest set, 'Fragments: The Bootleg Series Vol. 17,' is the definitive collection of session material and tour recordings surrounding 1997's 'Time Out Of Mind.'

No one knows why this Andrew Hill album recorded October 11th 1968 wasn’t released until 1980 as part of a Michael Cuscuna produced series. “Tone Poet” Joe Harley doesn’t know, nor, he told me, does Cuscuna. Harley posits a few possible reasons, none of which have anything to do with the music here, which in 1968 clearly was release-worthy. The vinyl revival/resurgence whatever you wish to call it has been a boon to artists like the late composer/performer/academic... Read More

Recorded during the same 2011 and 2012 Zipper Hall, Los Angeles sessions that produced the remarkable percussion record “Smoke & Mirrors” (Yarlung 17255-195V), “Earth & Wood” is another sonic spectacular recorded directly to tape using a single AKG C24 stereo microphone (with Elliot Midwood mic amplification). The one-mike recording technique required “just so” placement of both it and the seven member Smoke and Mirrors Percussion Ensemble that performed the... Read More

Rather than writing the usual written review of this extensive, well-produced and brilliantly curated set, I chose a video review to better show the box and associated records. The set includes a double LP containing the Painted From Memory collaboration spread to 3 sides. Side 4 contains selected songs from the never fully realized Bacharach/Costello musical Taken From Life performed by various artists including Cassandra Wilson and Bill Frisell, Audra Mae and of... Read More

In commemoration of Van Morrison's new album Moving On Skiffle, we revisit a past era of Van mediocrity via our archive review of 1996's How Long Has This Been Going On?

This recently re-pressed set of Nathan Davis live in Paris recordings should help create a new following for this somewhat overlooked American multi-instrumentalist, composer, and educator who turned down a Blue Note contract and an offer to join Art Blakey's group, remaining in Paris during the turbulent 1960s.

I got invited to a record launch party for Christian McBride's new album "Christian McBride's New Jawn Prime" held at Oswald Mills Audio's Brooklyn loft. "Conversations...." had been sitting unplayed for far too long so I figured I'd give it a spin to prep for the launch.McBride listening to his new album played back on the OMA K3 turntableI'm not sure if he'd ever heard any of his recordings reproduced on a system... Read More

Gil Scott-Heron’s Pieces Of A Man shouldn’t be relevant anymore. That is, it shouldn’t have to be relevant anymore, but it unfortunately still is. Since its 1971 release, its themes of racism, poverty, addiction, and the slight hope for a better future have retained a visceral urgency; partly because of Scott-Heron’s brilliant lyrics and powerful performances, and also because over 50 years later, the issues he wrote about continually worsen.Released on producer Bob... Read More

Jason Moran’s latest album, From the Dancehall to the Battlefield, is a staggeringly ambitious work, nothing less than a stab at reconceptualizing jazz history, hoisting a fairly obscure figure—the composer-bandleader James Reese Europe (1881-1919)—onto the pantheon of major innovators, a project that forges new links and traces a new path of the music’s evolution, with Lt. Jim Europe (as he was also known) at the—or at least a—center.

Recorded in 1966 and released in January of 1967 The Doors' debut album, powered by the edited single "Light My Fire" reached #2 on the Billboard charts, while the single was the "summer of love"'s #1 hit. If you were alive then you heard the single that summer wherever you went—blaring from jukeboxes and car radios. When you bought the album you heard a long extended "Light My Fire" that for many listeners was as uncomfortably... Read More

It’s been over a month since drummer and pop songwriter extraordinaire Yukihiro Takahashi passed away at age 70, though acknowledging it still feels weird. It wasn’t unexpected—he was treated for brain tumors, and related pneumonia caught him in the end—but for 50 years, Takahashi never really slowed down and always seemed focus on what was next. Between his solo material, his work in Yellow Magic Orchestra and Sketch Show, other gigs like the Sadistic Mika Band, or... Read More

How do you know a reissue is a sonic success? There's no checklist but I've been playing an original pressing since it was first released and occasionally the Mobile Fidelity Anadisc 200 reissue, so when the stylus dropped onto "Jamming" (I always first play side 2) I wasn't expecting any major surprises.The opening drum flourish indicated a new level of transparency and clarity, which was nice to hear but the percussive jingle after Marley... Read More

Often it's a cry for attention or money when a veteran jazz artist releases a Christmas album or one of Beatles covers. Brad Mehldau's latest, an album of the latter with Bowie's meloncholic "Life on Mars" serving as a sort of denouement (or encore, as this is a live album recorded at the Philharmonie de Paris), is neither of those. Mehldau, 52, has been covering rock music without apology almost from the beginning of his recording career. His... Read More

Fast on the approach to 70, where do we find Robyn Hitchcock these days? For a start…lyrically opening his parlour door to “The Shuffle Man” – the spirit of disorder inhabits the kickoff track to his latest album. “He's sort of the cheeky face of Destiny really,” Hitchcock explained over the line from London. “Certainly in times like 2020.”Which is when the ethos of Shufflemania – his 22nd long player, partially came together. The turmoil of lockdown, as it turns... Read More

It has become customary for many film music old-schoolers like myself to lament the current propensity for the “Zimmerization” of movie scores: ie., the devolving of a film’s soundtrack into endless drum-circles and synthesized loops, harmonic stasis, motivic repetition, all of which have become the hallmarks of Hans Zimmer’s work of the last 20 years or so.Obviously this is a vast over-simplification, and not entirely fair to Zimmer himself, but his protégés and... Read More

"Wish", by English gothic rock band The Cure, was released just three months before I was born in 1992, and while this album might coincide with the beginning of my time on this earth, for The Cure, "Wish" was the bookend on a fruitful period of pop dominance in the late 80s. The band that once assembled barren, bleak post-punk landscapes on albums like "Faith" and "Pornography" had, by 1985, with the release of "Head on... Read More