After making an impressive musical and sonic splash at last winterʼs C.E.S. (1994) with the superlative 200 gram vinyl edition of Muddy Waters Folk Singer (MFSL 1-201) and three less inspired choices: (ELPʼs Tarkus [feh!], Manhattan Transferʼs Extensions [yawn!] and Pink Floydʼs Atom Heart Mother [snooze]), Mobile Fidelityʼs vinyl reissue program sort of dribbled to a stop. In fact, the Pink Floyd didnʼt appear at the show due to a problem MoFi wouldnʼt identify. The... Read More

Full disclosure is but one welcomed feature of this ambitious and exciting Steely Dan catalog reissue roll-out from Analogue Productions. All titles remastered from the original analog tapes with the exceptions of Aja and Gaucho. Aja will be mastered from an analog, non-EQ'd tape copy and Gaucho from a 1980 analog tape copy originally EQ'd by Bob Ludwig (who cut the original Gaucho lacquers). According to the press release, it's likely that original... Read More

Unlike Sgt. Pepper's… producer Giles Martin explained to an invited group at New York's Republic Studios, the Revolver recorded assets, despite all of the record's innovative studio trickery (mostly done on tech "shoe-string"), did not include pre-mix "stems" that he could use to create a better stereo spread. The album had been recorded to 4 tracks and elements were permanently "married”. Director Peter Jackson's Beatles... Read More

(This feature originally appeared in Issue 5/6, Winter 1995/96.)“Eddie Kramer/Olympic Studios.” A magical combination. Kramer engineered Traffic’s debut album and had his hands all over the group’s second effort. Both are among the finest sounding rock records of the decade. He also is credited on The Rolling Stones’ Beggars Banquet second to Glyn Johns. Kramer also worked with The Beatles, Led Zeppelin, Buddy Guy, and Kiss, among others, but his best known... Read More

(This feature originally appeared in Issue 5/6, Winter 1995/96.)Ever hear an LP copy of Maurice Jarré’s soundtrack to Dr. Zhivago? It was released by MGM during the label’s “Sounds Great In Stereo” era. They’d put that statement on the record jacket whether or not what was inside was really recorded in stereo. “It would sound great if it had been recorded in stereo, but unfortunately, it wasn't” is what MGM meant to put on the cover, I’m sure, but they probably... Read More

Back in 1987, I interviewed the young up and coming and not particularly well-known Warner Brothers recording artist Chris Isaak. Thanks to a reasonably successful recording career, an effective and consistent live show, and an unusual “reality”-type comedy series on Showtime, Isaak divides his celebrity between being a respected recording artist, and a campy “celebrity,” known in some quarters simply for being known. With his swept-back ‘50’s hair and Eddie... Read More

MF: And you’re going into the studio in a few weeks?CI: Yup! I hope to record three songs at a time.MF: It seems like there are few young performers willing to accept the responsibility and stick their neck out and be the front man and go for stardom.CI: Yes, I know. Because I kind of see it in the old position of…it used to be a bunch of musicians would go out and play, and there was one guy who was the team ham and he’s elected to go out—if somebody breaks a string,... Read More

(This feature was originally published as “Black Saint & Soul Note Still On Vinyl!” in Fred Kaplan’s JazzTracks column, Issue 5/6, Winter 1995/96.)It says something about the state of jazz in its own homeland that, for the entire vital decade of the 1980s, America’s most creative jazz musicians were recording for two Italian labels, Black Saint and Soul Note. Both labels were owned by the same man, Giovanni Bonandrini, who set up the business entirely out of love... Read More

(This feature originally appeared in Issue 7, Spring 1996.)When I sat down at last January’s Consumer Electronics Show with veteran RCA producer Jack Pfeiffer, I had no way of knowing that I would be conducting the final interview he would ever give. Pfeiffer suffered a fatal heart attack on Thursday, February 8th at his RCA office where he’d worked in the Red Seal division for the past 47 years. He was 75.Jack Pfeiffer was a pleasant man, soft spoken and easy to talk... Read More

(This feature originally appeared as a cover story in Issue 5/6, Winter 1995/96.)Contrary to prevailing opinion circa 1967, Jimi Hendrix did not arrive from outer space. He was from Seattle, which probably had a greater effect on his music than if he had come from another planet. For those of us old enough to remember hearing Are You Experienced? when it was first issued in America, summer of 1967, Hendrix was some Black English cat who’d taken psychedelia from the... Read More

(This feature originally appeared in Issue 5/6, Winter 1995/96.)In my interview with Eddie Kramer, I asked many questions regarding the mastering particulars of the first four records. He was unable to provide the answers, referring me instead to John McDermott, author (with Billy Cox and Eddie Kramer) of Jimi Hendrix Sessions and Hendrix: Setting the Record Straight, two indispensable books for any Hendrix fan—and without which this issue’s cover story would have... Read More

You’ve arrived at a new website, but one with a rich, more than quarter century-long history of music reviews and feature stories, both in-print and online.The Tracking Angle published its premier issue in January 1995 as a digest-sized, stapled, two-color, sound-conscious music magazine edited by Michael Fremer. It quickly became a full-color, glossy, perfect bound, full-sized magazine featuring an impressive roster of music reviewers and feature writers.16 issues... Read More

With disbelief I deciphered the writing in the dead wax: A Porky Prime Cut it read, not etched in some old Led Zeppelin or Mountain record from the '70s, but on this circa '98 seven-inch from the Silver Jews, the recording project of late poet and songwriter David Berman. Porky Prime Cut!, I thought to myself, that means George Peckham, the legendary mastering engineer whose work for Led Zeppelin, Black Sabbath, T. Rex, and others is brain-bendingly... Read More

Woburn, MA September 2022—U-Turn just announced the new Orbit Theory turntable, which the company describes as its “…next generation turntable, engineered for uncompromising playback."The new turntable includes the “easily adjustable” OA3 Pro tonearm featuring a tapered one-piece molded magnesium armtube fitted with Ortofon 2M Blue cartridge. An upgraded gimbal bearing with both shaft and housing machined from stainless steel allows for what U-Turn says is... Read More