Creed Taylor produced records are no doubt among your most treasured, whether on CTI, which he founded in 1967, or Verve or other labels in which he was involved. Taylor passed away Augusts 22nd, 2022 at age 93. The recently released documentary "Creed Taylor, The Music Came First" is now available as a free, high resolution stream on the Snapshots Music and Arts Foundation website. If you click on "Vimeo" from that site you can watch full screen... Read More

(Revised Sept 17, 2022)Yes, yes, I know what you’re thinking: “What’s this now, another audiophile reissue of Kind of fu*king Blue?!” But here’s the thing: not only is this new one—pressed by Acoustic Sounds at 45rpm across two slabs of 200-gram UHQR Clarity vinyl—the best of the bunch; there almost certainly won’t be a better one for the foreseeable future.Not much need be said at this point about the 1959 Miles Davis classic: the best-selling jazz album of all time;... Read More

Dear Tracking Angle reader: the site has been live for a few weeks now with both new and "vintage" content. We hope you are enjoying both. However, as we post more "vintage" content and new readers arrive, they have to "dig" to find the new content, so, I've decided to move all of the new content to the front of the line and push the old (but equally interesting and useful) content to the back. This is a onetime move but for now... Read More

The year was 1976, long before "hot stampers" were even a thing. John Lennon presided over a good old-fashioned record pressing shoot-out-- in federal court, no less. The pressings played in the Southern District of New York's federal courthouse had songs familiar to lovers of Lennon's ROCK 'N' ROLL album, his beautiful homage to early rock and roll, but the two albums' quality couldn't have been farther apart. The first... Read More

Ry Cooder, in 1959, when he was 12 bought a copy of a ten inch record on an odd label with an amateurish paste-on cover and mimeographed liner notes tucked inside. The record was Get On Board by Sonny Terry and Brownie McGhee, two middle aged Black men who had been playing blues for Black audiences for more than two decades, but now, probably to their own surprise, were becoming popular with young white people. Cooder began listening and woodshedding and we know the... Read More

In 1960, often referred to as “The Year of Africa,” seventeen former French and British colonies in Africa became free, independent nations. In the U.S., in February 1960, the struggle of Black Americans to attain the civil rights which had been promised them by Brown v. Board of Education in 1954, entered a more aggressive, confrontational phase when in Greenville, North Carolina Black students, frustrated and angered by the slow progress in ending segregation,... Read More

As I paid $25 for an original US copy of Lou Reed’s 1978 live album Take No Prisoners, my local record shop owner said, “Enjoy it, man, I’ve never seen this record before. Plus it’s a promo.” Indeed it is: not only is there a sticker from Arista denoting it a DJ copy originally loaned for promotional use only, but there’s also a bold red hype sticker reading “SPECIALLY PRICED TWO-RECORD SET—All the raw excitement of Lou Reed-Live,” with quotes from the Chicago... Read More

Neil Hagerty and Jennifer Herrema, the duo that formed Royal Trux in the late '80s, don't look or sound like one of the smartest bands of all time. I saw them open for Pavement at the Roxy Theater in Atlanta in 1997. The two looked like they had escaped from the pages of an R. Crumb comic book. Singer Jennifer Herrema 's long pale arm was wrapped with black leather straps like some kind of profane arm-tefillah. Neal Hagerty had his back toward the... Read More

Charles Lloyd is a force of nature. At 84, he’s not only active but very nearly at the top of his game, blowing blues, ballads, and up-tempo rousers—holding whole notes and raining sheets of sound—with grace, verve, and beauty. He has also been a superb gatherer of talent over the decades. His breakthrough album as a leader, Dream Weaver, featured Keith Jarrett, Cecil McBee, and Jack DeJohnette, in 1966, before any of them were known. In the past decade, unlike some... Read More

Readers on this website might be most familiar with me for my classical music reviews, but the breadth of music I enjoy and collect spans far beyond the purview of Bartok and Brahms. Japanese popular music has long been one of my particular interests. I tracked down my first Dir en grey CDs way back in middle school, and since that time over the last 15 or so years, I’ve been steadily importing physical media from the land of the rising sun. My journey has been long... Read More

Blue Train is old enough to be on Social Security, yet this reissue (with an additional album of alternative takes) seems to have created a stir probably greater than when it was first released January, 1958. Rudy Van Gelder recorded it in his Hackensack, New Jersey home studio, September, 15th 1957, 65 years ago to the day I’m writing this.Blue Train is the only album Coltrane recorded for Blue Note. He’d signed with Prestige and did this “one off” built upon a... Read More

The drummer Tyshawn Sorey has made his mark mainly as an experimental musician, composer, and conductor—a McArthur Genius Grant winner who spans the gamut between contemporary classical and avant-garde jazz, with stints as sideman to the likes of Marilyn Crispell, Roscoe Mitchell, and Anthony Braxton. But lately he’s taken small steps toward the mainstream, playing in Vijay Iyer’s trio and now, with Mesmerism, leading his own trio on an album of standards. Except for... Read More

(This review, written by Carl E. Baugher, originally appeared in Issue 5/6, Winter 1995/96.)If Coolio ain’t careful, he's gonna give gangsta rap a good name. ‘Course, he’d be the first to tell you he’s not a gangsta rapper anyway and, despite the album title, that’s a fact. This collection of intelligent, positive, smoothly gliding, retro soul/R&B, hip-hop is impressively varied and wide-ranging.It all adds up to way more than one normally gets in... Read More

"The last thing I'd want to do is decouple my cartridge from the tonearm's headshell!", I barked at Funk Firm's Arthur Khoubessarian (BSc physics, University of Surrey) at last Spring's High End Munich show as he attempted to introduce me to the Houdini cartridge de-coupler. Everything I've learned and been taught by my mentors is that headshell/cartridge coupling is essential for efficient energy transfer; the goal being to drain it... Read More

This report was originally written in 1994 for The Absolute Sound and never published there. Please keep the date in mind as you read it!–Ed.Everything was out of joint this year (though not out of joints – judging by the odors emanating from some parked cars around the Sahara bi-level), from the unusually cold wet weather – it rained almost every day – to the thoroughly bizarre product mix at The Saharaʼs bi-level complex High End audio exhibits. Who would have dared... Read More

Craft Recordings Celebrates 60th anniversary of Vince Guaraldi's Jazz Impressions of Black Orpheus featuring the GRAMMY Award-winning instrumental hit "Cast Your Fate to the Wind" with a Small Batch (limited to 3000 copies) all-analog edition of the original album cut by Bernie Grundman using the original master tapes, "One-Step" processed and pressed at RTI on 180 gram NeoTech VR900 compound. Set for release February 24th, 2023, the Small... Read More