Last year, when I reviewed the Yen Records holiday LP "We Wish You A Merry Christmas", a reader recommended another Japanese Christmas LP, simply titled 'Christmas Songs.' Released in 2010 by Ryuichi Sakamoto’s Commmons label, 'Christmas Songs' is a various artists LP of then-new recordings mostly of Christmas standards by a diverse range of artists, among them all three members of Yellow Magic Orchestra (albeit on separate tracks).... Read More

For a small third world country, Jamaica has produced an impressively large volume of exceptional music that has had an enormous impact on world consciousness. Bob Marley, in my opinion, is the 20th century's most important musical artist. Many Americans might not be aware of reggae's worldwide popularity since it had to compete over the U.S. airwaves with rock, disco and country music, but in major European countries including Spain, Germany, France and... Read More

(This review, written by Glenn Hammett, originally appeared in Issue 7, Spring 1996.)Remember the supergroups? Sure you do! In the late 60s, if a musician had a successful backlog of material, or simply looked the part, he could combine his talent with others of similar rock-royalty status. After months of grooming and preparation, they would announce themselves to the world as the next best thing. Shortly thereafter, egos would flare and they’d break up (usually to... Read More

By the time “Rastaman Vibration” was released in 1976, Bob Marley had already released seven albums, the first four of which had limited distribution outside of Jamaica. “Catch a Fire,” his first for Island, released in 1973 with the famous Zippo lighter flip up jacket, was a big deal in American reggae-loving outposts like Boston, where the 1972 low budget film “The Harder They Come” starring Jimmy Cliff had been a major sensation running throughout the summer of... Read More

"Welcome Klaus! Come have a listen", George Martin invited. "You can sit in my chair," he said to Klaus Voorman, bassist, artist and long time friend of The Beatles. This and other excerpts from Voorman's graphic novel birth of an icon REVOLVER tells the story of how and what moved Voorman to draw the now iconic, possibly influenced by Aubrey Beardsley pen and ink black and white cover—visually a polar opposite of Rubber Soul's inviting... Read More

It runs less than 1/2 hour but "The Fantastic Expedition of Dillard & Clark" is worth its weight in choose your favorite precious whatever. Crazy magic happened in the "small, lonely L.A. studio" A&M's Bob Garcia describes in the liner notes. Obviously the small budget or a previous booking didn't allow Gene Clark, Doug Dillard, Bernie Leadon, Chris Hillman and the others to record at the big A&M Studio, but no matter,... Read More

Andover Audio's new $249 (MSRP) Spinstage MM/MC phono preamp housed in a clear finish bead blasted anodized aluminum chassis features a series of design innovations rarely found in budget MM/MC phono preamps including a separate MC stage using ultra-low-noise discrete transistors in a type of transconductance topology.Another cool feature is an "aux input" that returns to users the usurped input. In other words, you can add the Spinstage and not lose a... Read More

VMP's just announced December's record of the month is Bob Dylan's "Blonde on Blonde" mono edition mastered by Ryan K. Smith using the original analog master tapes.The cut appears to be from a previous one done by Ryan for Music On Vinyl in 2010. The 2010 Columbia box set was mastered by the late George Marino. The records are pressed on "blonde on blonde" colored vinyl.Listening notes by my old pal Michael Simmons. This is a record... Read More

Monty Alexander's long association with the Montreux Jazz Festival produced many stellar musical moments. This double LP set culled from performances from 1993 through 2016 highlights many of them. There's a video interview with Alexander conducted by TrackingAngle editor Michael Fremer the day this review posts.

(This review originally appeared in Issue 7, Spring 1996.)Not since Moby Grape has so much talent been victim to dumb circumstance. Mann hit it big out of the gate with ‘Til Tuesday’s 1984 hit “Voices Carry.” You’d think two gold records would vindicate her pop musical instincts, but when Mann begin edging away from the drum machine/synth rut she’d dug for herself, towards folkier, acoustic guitar-based music, her label resisted, ultimately killing the group’s third... Read More

TrackingAngle.com editor Michael Fremer was unable to attend the 39th annual Tokyo Audio Fair but reader Matthew Walker was there and sent some photos

“David Bowie in Jazz"'s Aladdin Sane-era cover art might lead you to believe this Bowie tribute record is tied in with or is somehow connected to Bret Morgen’s feature-length "Moonage Daydream" documentary released September, 2022 in IMAX and standard theater formats and currently available for streaming and purchase on Amazon, itunes and other sites.The scant credits, however, indicate that the French Wagram Music label marketed and distributed... Read More

Andrew Jones's first speaker for Mo-Fi is a radical departure from his slim baffle small driver past designs, though it retains the concentric drivers he's well know for creating over his long career, from companies like KEF, TAD and ELAC.

(This review, written by Carl E. Baugher, originally appeared in Issue 5/6, Winter 1995/96.)The lineage of American electric guitar is a long, rich, exciting thread. It runs through Muddy Waters, Albert King, Albert Collins, B.B. King, Jimi Hendrix and the kid from Texas, Stevie Ray Vaughan. A plane crash in late August 1990 took Vaughan way too soon but his music sounds just as fresh and vital today as ever. Stevie never made a bad album so putting together a... Read More

(Photo by Henry Diltz, courtesy of Gary Strobl). Prolific rock writer and chronicler of the Southern California rock scene Harvey Kubernik interviewed more than a few times Walter Becker and Donald Fagen. Here are some lengthy excerpts including how the duo visited Kubernik's late night KPFK-FM radio show to play an acetate and debt "Aja" on the show. What a scoop!

When Steely Dan recorded "Can't Buy a Thrill" it was more of a "pick-up" studio band than a "group". As Donald Fagen recounts in the notes accompanying this new UHQR release sourced from the original master tapes (shown on the notes insert), Fagen and Walter Becker had failed as ABC Dunhill "staff composers" and decided it was time to live the dream leading a real band.The pair called their friend New York guitarist Denny... Read More