Years ago, a lawyer friend said to me half seriously that the Federal Trade Commission should adopt a “Truth In Rock Band Labelling Act,” the main provision of which would be that a nationally touring “icon” band could not advertise themselves as “The XYZ Icon Band” unless more than half of the original members including the lead singer and primary songwriter(s) were still in the band. If such a regulation had been enacted, the Rolling Stones would now be the... Read More

Large crowds, robust manufacturer participation and many product debuts made Capital Audio Fest 2023 a roaring success. Day three awaits as i type this early Sunday morning. One of the show highlights was the large room in which was a system consisting of a full array of Audio Research electronics driving a pair of Acora Acoustics VRC Reference Loudspeakers. A new VPI Titan "double stack" Direct Drive turntable fitted with Audio Technica's now sold out... Read More

1977 was a turbulent year for Pink Floyd. With bassist/primary songwriter Roger Waters asserting more of a dictatorship role, the band slowly drifted from being a collaborative unit. The rise of punk rock made Pink Floyd and many of their progressive rock contemporaries to be considered “dinosaurs.” In turn, the murky production value and Orwellian political themes explored on their then-new album, Animals, was their response to the shifting musical climate. The connection between Pink Floyd and their audience was lost during their In The Flesh tour from the same year. Rather than enjoying the band’s spectacle of flying pigs and inflatables, the raucous audiences were more concerned with setting off fireworks and riding hallucinogenic highs. This tension culminated with the infamous final show of the tour at Montreal’s Olympic Stadium, where Waters angrily spat at a member of the audience.

"This artistic and experimental journey began with old and 'dirty' tape heads in The Green House Atlanta studio/rehearsal space and was produced alongside musician and friend, Aaron Hill. My intention was not to write a bunch of sad songs, but to create an album that, when listened to in a certain order, tells a story of one person's trials and tribulations, born from decisions made to replace the hurt of forlornment. As the story develops and... Read More

A large collection of Music Matters Blue Note reissues, Serial #40 (see list below) recently went on sale on Discogs as individual records and on Ebay as a 110 double 45rpm LP set (as I write this the top bid is $7700)—all "review samples"—(not test pressings) with Blue Note Plastylite labels. In case you are interested. In case you are interested in the difference between test pressings and review samples, in this series RTI produced up to a dozen test... Read More

In 2016, a company called Sweet Vinyl introduced the SugarCube SC-1 vinyl noise reduction system. Placed between a phono preamplifier and line preamp or integrated amp, the SugarCube digitizes the incoming signal at 192kHz/24bit, applies an adjustable real-time surface noise reduction algorithm, then outputs the cleaned-up signal. Though not for purists, the SugarCube made a good point: sure, you could digitally archive an especially noisy record, remove the annoying... Read More

A trip to Nara to see an all-star Japanese jazz quartet leads to the discovery of a record shop devoted to another Fab Four...

The capital of Japan’s northernmost main island of Hokkaido, Sapporo is home to Precious Hall, the club world-renowned for its Loft-inspired sound system; a central park lined with beer gardens and the iconic Sapporo Beer factory; and for you, dear vinyl-lover, record shops overflowing with bargains.

“Of all the shows on this tour, this particular show will remain with us the longest because not only is it the last show of the tour, but it’s the last show that we’ll ever do.”David Bowie made this closing statement at London’s Hammersmith Odeon in July 3rd, 1973. After spending ten years joining various groups, having to change his name to avoid confusion with The Monkees’ Davy Jones, penning novelty records, and straying from the “one-hit-wonder” stigma of “Space... Read More

Various versions of the Linkwitz LX521 speaker have captivated my interest since I first heard it at RMAF 2012. In subsequent years, I prioritized visiting the Linkwitz room, where I would be consistently impressed by the speaker's ability to create an excellent sound stage and perform remarkably well in various rooms.Siegfried Linkwitz is renowned among loudspeaker designers for introducing several revolutionary advancements in the audio industry, the most... Read More

One of Neil Young's finest, most reflective and at times sad and occasionally depressing albums, Harvest Moon released in 1992 finds the then 47 year old looking back. On the opener "Unknown Legend" he's remembering observing a waitress in a diner who a few years later he'd marry. About Pegi Young he sang "Never saw a woman look finer/I used to order just to watch her float across the floor". On "From Hank to Hendrix" he... Read More

I spent all of day one at the sports arena where most of the exhibitors were "mainstream" audio companies from around the world. There were fewer "big" exhibits this year—no giant speakers from Gryphon, Wilson, Magico and others. The only really big one was Borresen's flagship M6 and it delivered on its promise. Exhibits of mostly "down to earth" products (still priced in the stratosphere) was a welcome trend. In terms of product... Read More

Only covering the sound here and the news is not good for a few reasons. First, the sound is bass-heavy, generally "thick" and unpleasant and the perspective is flat. If you bought the UHQR or have an original pressing and don't want to spend $150, you are all set. The 192/24 Qobuz stream sourced from Bernie Grundman's digital file produced using the same tape he used to cut UHQR lacquers sounds far superior in every way to this vinyl edition. The... Read More

A publicist recently pitched me this just released book, describing it as a celebration of the 75th anniversary of the first commercial LP and claiming it to be an "authoritative, highly illustrated, and multi-faceted look at the history and culture of vinyl record collecting and turntables." Five authors are listed: Gillian Garr, Martin Popoff, Matt Aniss, Richie Unterberger and Ken Micallef. I'd heard of two: Richie Unterberger and Ken Micallef.... Read More

Recorded in 1961 and released in 1962, Mosaic comes from an immensely prolific period of Art Blakey and The Jazz Messengers. Although the group’s lineup changed frequently, from mid-1961 through early 1964 it was unusually stable. The band was also one of Blakey’s very best: Wayne Shorter on tenor, Freddie Hubbard on trumpet, Curtis Fuller on trombone, Cedar Walton on piano, and Jymie Merritt on bass. The only change was when Reggie Workman replaced Merritt in 1962,... Read More

It’s official: Rufus Reid Presents Caelan Cardello is out today via the newly established Liam Records! Executive produced by Tracking Angle editor Michael Fremer and co-produced by Robyatt Audio's Robin Wyatt, this album captures the exciting duo of Rufus Reid and Caelan Cardello performing live at the Klavierhaus, New York City. It’s available at Acoustic Sounds, Music Direct, Elusive Disc, and Michael 45 (also seemingly available at iMusic and Disk Union). CDs... Read More