Music Reviews: Pop

Lori Lieberman performs this set of standards without a "net"—no reverb bath, or any kind of cover. Singing directly and closely "on mic" where there's no room for error she delivers her finest vocal performances on record backed by Matt Rollings on keyboards (piano and B3), Lyle Workman on guitars, David Piltch on upright bass and Victor Indrizzo on drums.Lieberman produced the record with Rollings, a player in Lyle Lovett's Large Band... Read More

Trackingangle's purchased at retail copy of MoFi's "Thriller" arrived just the other day, but editor Michael Fremer was well-prepared for the review, having served as an expert witness in Quincy Jones's lawsuit against the estate of Michael Jackson. He'd spent a lot of time listening to the trio of Q produced Jackson albums.

Last year, when I reviewed the Yen Records holiday LP "We Wish You A Merry Christmas", a reader recommended another Japanese Christmas LP, simply titled 'Christmas Songs.' Released in 2010 by Ryuichi Sakamoto’s Commmons label, 'Christmas Songs' is a various artists LP of then-new recordings mostly of Christmas standards by a diverse range of artists, among them all three members of Yellow Magic Orchestra (albeit on separate tracks).... Read More

(This review originally appeared in Issue 7, Spring 1996.)Not since Moby Grape has so much talent been victim to dumb circumstance. Mann hit it big out of the gate with ‘Til Tuesday’s 1984 hit “Voices Carry.” You’d think two gold records would vindicate her pop musical instincts, but when Mann begin edging away from the drum machine/synth rut she’d dug for herself, towards folkier, acoustic guitar-based music, her label resisted, ultimately killing the group’s third... Read More

It’s a bit hard to fathom, but Stereolab has now released almost as many compilations as it has original albums. Sure, there’s some crossover, but taken as a whole, all of the rarer material gathered across their Switched On series gives you the sense that during their initial 20-year run the Anglo-French outfit never left the studio .

(This review originally appeared in Issue 5/6, Winter 1995/96.)Joe Meek was a lonely British eccentric producer/engineer who played with electronic gizmos in the studio to create kitsch filled teenage classics like “Telstar” by the Tornadoes, which those of you from the boomer generation remember as the song which introduced us to “the future” and to the sound of “outer space.”The stuff collected here is wonderful in its campy early 60s awfulness, but it also reveals... Read More