Music Reviews

“Of all the shows on this tour, this particular show will remain with us the longest because not only is it the last show of the tour, but it’s the last show that we’ll ever do.”David Bowie made this closing statement at London’s Hammersmith Odeon in July 3rd, 1973. After spending ten years joining various groups, having to change his name to avoid confusion with The Monkees’ Davy Jones, penning novelty records, and straying from the “one-hit-wonder” stigma of “Space... Read More

One of Neil Young's finest, most reflective and at times sad and occasionally depressing albums, Harvest Moon released in 1992 finds the then 47 year old looking back. On the opener "Unknown Legend" he's remembering observing a waitress in a diner who a few years later he'd marry. About Pegi Young he sang "Never saw a woman look finer/I used to order just to watch her float across the floor". On "From Hank to Hendrix" he... Read More

Only covering the sound here and the news is not good for a few reasons. First, the sound is bass-heavy, generally "thick" and unpleasant and the perspective is flat. If you bought the UHQR or have an original pressing and don't want to spend $150, you are all set. The 192/24 Qobuz stream sourced from Bernie Grundman's digital file produced using the same tape he used to cut UHQR lacquers sounds far superior in every way to this vinyl edition. The... Read More

Recorded in 1961 and released in 1962, Mosaic comes from an immensely prolific period of Art Blakey and The Jazz Messengers. Although the group’s lineup changed frequently, from mid-1961 through early 1964 it was unusually stable. The band was also one of Blakey’s very best: Wayne Shorter on tenor, Freddie Hubbard on trumpet, Curtis Fuller on trombone, Cedar Walton on piano, and Jymie Merritt on bass. The only change was when Reggie Workman replaced Merritt in 1962,... Read More

This is the first time in its eighty-year history that the full score of Rodger's and Hammerstein's landmark musical Oklahoma!, including every song, dance, and instrumental interlude, has been recorded absolutely note complete, including the original orchestrations. The result is revelatory.

London – November 2, 2023 – As announced last Thursday, October 26, the last Beatles song, “Now And Then” is out today worldwide. Apple Corps Ltd./Capitol/UMe are pleased to share details and updated premiere plans for the song’s evocative new music video, which Peter Jackson has directed in his first foray into music video production. The “Now And Then” music video will premiere worldwide tomorrow (Friday, November 3) at 1pm GMT / 9am EDT / 6am PDT on The Beatles’... Read More

In 2022, one in every 25 vinyl LPs sold in the US was a Taylor Swift record. That’s 1.7 million LP sales across her catalog last year, almost 945,000 of which came from her latest album, Midnights. Swift’s vinyl success not only represents her continuing fame, but also her smart marketing tactics and ability to still sell albums. Midnights comes in four cover variants, which with the associated wall mount forms, on the back, a clock. To many artists and consumers,... Read More

When I visited Paul Gold's Salt Mastering recently, I asked him why he named his facility "Salt Mastering" and he replied that mastering should be like using salt to season food: you shouldn't taste the salt, it should be used judiciously, only to bring out the intrinsic flavors of the ingredients.Bernie Grundman's original Aja mastering certainly lived up to that mastering definition, which is why it's considered a great sounding... Read More

The tape box pictured in the notes tells the tale in tiny hand written letters: "original master was 1/4". In other words the source for this UHQR reissue was a 1/2" Dolby A copy of the master, which became the 2 track Dolby Master. When you hear the record you won't care about from where it came, you'll just know it's the best sounding Aja you've ever heard and it's not close. For one thing, "Deacon Blues" takes up an... Read More

It's a mystery why Woody Shaw’s Blackstone Legacy is not a better-known album. Maybe it’s due to the timing. It was recorded in 1970 and released in ’71 (a commercial low point for jazz) on two LPs (it was hard enough to sell one), and Shaw himself was not a big name. This was his debut as a leader, though the young trumpeter—just 26 years old—had appeared on 20 albums as a sideman, to Larry Young, Hank Mobley, McCoy Tyner, Eric Dolphy, Andrew Hill, Chick Corea,... Read More

Following a decade's worth of Asylum albums almost all of which were produced and engineered by the great Bones Howe, and none of which were originally commercially successful but they sure did sound good, and over time the audiences caught up with what he was doing, Tom Waits self-produced his Island debut Swordfishtrombones. Waits traded in his bar fly hipster small jazz combo recorded live in the studio thing for a far more experimental, heavily produced and... Read More

By the time the 1980s rolled around in Japan, rock music had gone through numerous cycles of boom and bust, starting with Beatles-inspired pop in the 1960s (aka “Group Sounds”), to Hendrix-tinged blues covers, to the Japanese language folk rock movement active in the mid 70s. The youth of Japan, now beginning to feel the downstream effects of the postwar economic miracle were clamoring for a new creative artistic movement to supplant the faded glory of globalized... Read More

It makes sense that in 2010 Tom Petty would want to go back to basics. What does a rockstar do when he’s attained the heights that a wistful bedroom troubadour could only dream of? It was time for Tom and the Heartbreakers to tune up the expensive vintage instruments, make some noise in their famed Los Angeles rehearsal studio, “The Clubhouse” and capture the no-frills results. It was a return to their roots, an experiment to make sure the magical mojo was still... Read More

In 1957, Robert "Mack" McCormick began working as a cab driver in Houston, Texas. He was twenty-seven, and to that point, his life had been one of debilitating depression, rootlessness, dissatisfaction, and failure. He and his mother had moved twenty times before he was sixteen. Listening to jazz and big band broadcasts was the joy of his drab and lonely life. At fifteen, he hitchhiked to New Orleans to meet Orin Blackstone, who was compiling Index To Jazz,... Read More

From its late '60's beginnings to today, progressive rock has always had cult status. Musical boundary pushing lengthy arrangements replete with elements of jazz and classical provide challenges for mainstream audiences. Therefore, a prog rock band's desire for commercial appeal then and now is often at odds with its creations and with the execs at the labels to which they are signed.

In his liner notes for the new Vinyl Me, Please reissue of Iggy and The Stooges’ 1973 album Raw Power, Andy O’Connor says it’s “not a record for audiophiles.” Then why give this record a sumptuously packaged all-analog reissue?Because despite the somewhat rough recording quality, few records are as historically important as Raw Power. It’s not even the best Stooges record, but it’s inarguably their most influential. Forget proto-punk; Raw Power was the first punk... Read More