Every artist announces their end differently. Some make a big deal out of retiring, only to return three to five years later with an album or tour. Others creatively decline until they die, or until no one’s interested anymore. Or, they release their best album, slowly retreat from the spotlight, say that they’re “not currently thinking about a future in the arts,” make sporadic and seemingly random appearances on others’ experimental records, and reissue the entire... Read More

In part 1 of our Bunny Wailer retrospective we followed his life from a young boy to age 30 and covered his first two solo albums, Blackheart Man and Protest. Now we will delve into his next eight albums somen of which were award winners.As mentioned in part 1, Bunny's debut album, Blackheart Man, is considered by most every music critic to be one of the ten greatest reggae albums of all time. The follow up, Protest, although good, was a bit of a let down. That... Read More

The Decca/London Phase 4 Stereo records of the 1960s set the gold standard for albums of film music and easy listening. Building on the already fabled Decca sound, Phase 4 exploited the latest multi-track mixing and miking techniques to show off the new stereo technology. And of all the albums produced in Phase 4, few have become as iconic as those by legendary arranger Roland Shaw, covering music from numerous Bond and other spy movies and TV shows of the period. In Part 2 of this survey, we dive into each of the albums and find out what makes these records so special, even over 60 years since their original release. (You can read Part 1 here).

Looking for the perfect musical antidote to all those holiday season tinsel tunes, carols, and Viennese waltzes? Look no further than the secret agent stylings of Roland Shaw and his Orchestra, which exploded in all their technicolor glory on a series of albums for the fabled Decca Phase 4 Stereo label in the 1960s and 1970s. Everyone and their mother at the time was covering the hot, groovy sound of John Barry, Lalo Schifrin, Henry Mancini et al, which had injected jazz pep and cool into the soundtracks of numerous TV shows and movies that followed in the wake of the global success of the James Bond movies. But Roland Shaw stood out as the arranger and conductor who came closest to the quality of the originals, and sometimes even exceeded them. So sit back with your Martini to hand, and cue the Main Titles: it’s Secret Agent Time…..   

Warner Brothers got into the record business in the late '50s releasing a series of super-corny records half-heartedly aimed at the growing "audiophile community". It was a "catch up" effort and too little too late. The label did it without its own recording studio or much of an A&R department and it showed! However, someone there knew good sound—not surprising since WB invented "The Talkies"—movies with sound. A few years later,... Read More

Bunny Wailer (1947-2021) was born Neville O'Riley Livingston in Kingston, Jamaica. At age eight he moved to the village of Nine Mile in Saint Ann Parish where he met Bob Marley. The two boys were raised by single parents and when Bunny's father, "Toddy" Livingston fell in love with Bob's mother, Cedella, the two adults moved back to Kingston, with Bunny and Bob being raised together.The WailersIn the early 1960's Bob and Bunny were... Read More

It's that time of year when we take a moment to consider what's been going on in our corner of the world. In this particular corner of the audiophile and music-loving world, that means classical music. A lot has happened in 2023, and Tracking Angle takes a moment to consider what it all means for the present and future of recorded classical music. The biggest development of the year has to have been the arrival of the Deutsche Grammophon Original Source Series of stunning AAA vinyl reissues. These go from strength to strength, bringing in new listeners to classical music. Plus we have some suggestions for Xmas gifts - some obvious, some less so. All things considered, there's rarely been a better time for both the novice classical listener and the seasoned collector. Deck the Halls Indeed!

As we all know, some (by which I mean, an infinitesimally small percentage of the format’s total production) used LPs (or, some claimed-to-be unopened “New Old Stock” LPs), sell for crazy money. Which, of course, incentivizes much flipping through the used-LP bargain bins.Here’s one example: What I call a “record-store LP” (meaning, not an acetate, test pressing, or promo) of Led Zeppelin II sold, not too long ago, for $4,500.00.Of course, it was not just any old used... Read More

It’s an interesting time in the classical recording industry, to say the least; some would say the industry is almost bipolar in its opposing tendencies.On the one hand you have the traditional major labels that I and many of you grew up with - like Decca, Deutsche Grammophon, Philips (now all swallowed up by Universal Music Group), plus EMI (now part of the Warner Music empire), RCA and Sony (formerly Columbia/CBS) - putting out somewhat sporadic new releases that... Read More

After my last harrowing adventure through Deutsche Grammophon’s “Original Source Series”, I was hoping this next batch would prove less problematic and more up to the standards of what I had appreciated about the first few releases in the series such as the excellent Abbado Rite of Spring. Fortunately, with these two particular titles set to release officially on October 20th, my fears were abated. My colleague Mark Ward has already reviewed the romantic era thrillers... Read More

The latest round of DG's "Original Source" vinyl reissues delivers an eclectic range of titles, from benchmark classics like Emil Gilels' Beethoven piano sonatas and Rafael Kubelik's Ma Vlast, to less familiar titles like Friedrich Gulda's Mozart piano concertos with Claudio Abbado, and Seiji Ozawa's take on Berlioz's phantasmagoric orchestral spectacular, the Symphonie Fantastique. Tracking Angle's Michael Johnson and Mark Ward drop the needle on the latest batch of eagerly-awaited OSS releases. PART 1 features Berlioz's Symphonie Fantastique and Beethoven Piano Sonatas performed by Emil Gilels. PART 2, featuring Mozart Piano Concertos with Friedrich Gulda, and Smetana's Ma Vlast with Rafael Kubelik - both reviewed by Michael Johnson - will follow shortly.

As The Strokes' frontman Julian Casablancas goes through his mid-life crisis, a new 7” box set of the group’s first 10 singles and a lavish reissue of its 2001 debut LP Is This It hits the market. Legacy acts are the backbone of the music industry: the longer a band (or an artist) maintains its success, the wider the demographic it reaches. When the original fans get older, they’re better able to pay for more expensive concert tickets and a steady stream of... Read More

By the early 1970s, time had passed jazz by. The Beatles had happened, James Brown had happened, and “The Sixties” had happened. Young people, both Black and white, weren’t interested in jazz. It was the music of old people who didn’t buy many records or go out to clubs and concerts. Jazz musicians were scuffling for the few available gigs, driving cabs, and working at the post office. Even icons like Count Basie, Sarah Vaughan, and Ella Fitzgerald were having difficulty selling records, and all released albums of pop/rock tunes. The fusion music of Return to Forever and the Mahavishnu Orchestra, the smooth/funky jazz of Donald Byrd and Grover Washington Jr., and Keith Jarrett’s sui generis Koln Concert was the “jazz” that was selling.

When the new batch of Deutsche Grammophon Original Source records arrived from the label for review, fellow Tracking Angle writer Mark Ward alerted me that I was on deck. And while I can’t hope to match his tour deforce review outlining the first four titles in this series, I have been eager to put into words my thoughts on the ongoing results of this monumental undertaking.While I didn’t formally review the first four titles, I did listen to all of them, and they... Read More

In our occasional series of unusual but noteworthy records, this 1975 collection of works specially written for the brilliant vocal sextet of the King's Singers - still going strong after over 50 years - remains one of their most adventurous outings. Captured in vintage EMI analogue sound, the works recorded cover a multitude of both traditional and more experimental vocal techniques by top composers of the era, all performed at the highest level. If you think "a cappella" singing begins with the Barden Bellas, prepare to be surprised by this time capsule of vocal virtuosity.

The oldest and most respected of all classical music record companies, Deutsche Grammophon, has turned to analogue and vinyl technology to remaster gems from its 1970s catalogue. In the process it has redefined its sonic history and legacy, and pointed the way forward for the other classical music majors like Decca, Warner-EMI, and Sony-Columbia to do justice to the incomparable gems in their back catalogues. We examine how Deutsche Grammophon tackled this challenging project, and review the first four records in what will be an ongoing series of releases in the months ahead.