Acoustic Sounds Bob Marley
Lyra
The Original Source
By: Mark Ward

May 30th, 2025

Category:

Discography

Behind-the-Scenes at the Original Source - Your Questions Answered Part 1

Rainer Maillard and Sidney C. Meyer at Emil Berliner Studios Speak!

It's been just over two years since Deutsche Grammophon launched its series of AAA vinyl reissues mastered directly from the original 4 and 8-track master tapes of treasured recordings from its 1970s catalogue. In response to collectors' numerous questions concerning every aspect of this important audiophile reissue series, Rainer Maillard and Sidney C. Meyer of Emil Berliner Studios take you behind-the-scenes of every aspect of the Original Source. This is the first of what will be an ongoing series of videos.

In Part 1 you’ll learn all about the origin and development of the series, which tapes are suitable for remastering and reissue, why there’s so little chamber music, how the recordings are selected, and the challenges faced so far.

Comments

  • 2025-05-30 08:40:36 PM

    EAD wrote:

    This is a well-made and informative video from Sidney C. Meyer and Rainer Maillard!! I appreciate even more the great job they are doing at Emil Berliner Studios. Kudos to them!

    As a side note: Mark on your recommendation, I recently acquired Pierre Monteux’s Brahms Haydn Variations (on a Diapason double CD). The performance is stellar (on par with Bruno Walter in my view) and the sound is amazing (even better than the Bruno Walter recording which is already very good). As a bonus I also got Pierre Monteux’s Beethoven 3rd with the Concertgebouw Orchestra. Great performance! Now on the hunt for a version on vinyl!

    Apart from the Richter Beethoven, I am waiting patiently for Pollini’s Chopin Polonaises. I have good hopes that will be spectacular ;-) .

  • 2025-05-30 09:12:34 PM

    Come on wrote:

    This is the most interesting and best done video on this kind of topic I saw so far, congratulations!

    There’s one thing I wonder about. The team seems to be extremely ambitious getting the best possible sound out of recordings. Wouldn’t the whole series have been even more successful if not only less than half of the source material, but all of it had been also selected for best sound quality potential of the initial recordings? My impression from the releases so far was, that less than half is on a 10-11 sound quality rating level, while more than half is on 8-9 level. This seems to be a matter of the recording potential only, not a matter of how the various reissues are produced.

    Wouldn’t DG have enough recordings in their archives which are compatible for this series and on very top level not only in interpretation but also in sound quality (the level of the Ravel box, Berlioz Fantastique etc)? It’s just my opinion, but it seems to me the immense effort and good work in remastering, cutting..the whole production process, is a bit wasted on some of the source material, which in terms of recording quality potential is not on that level. Important repertoire yes, but wouldn’t there be enough important repertoire with sound quality on top level?

    • 2025-05-31 06:28:37 PM

      Dennis wrote:

      Agree wholeheartedly. Almost gave up on the series after two mediocre pressings. Bought the Ravel Seiji box and wow, what a difference.

  • 2025-05-31 07:41:20 AM

    Swann36 wrote:

    This is a great film and Mark Ward is name checked too … my thoughts on the video

    It is absolutely wonderful that you have taken the time to explain in such detail how this super series is being curated and made and particularly how open you are the issues with the tapes.

    I appreciate the records I have all the more for it, you clearly take great care in producing them ready for pressing, so it is really sad that many times I have to return the records and try 2 and 3 times copies to get a record without pressing issues far too much non-fill, scratches or badly warped.

    It seems to me the great care and attention to detail that is shown in creating the lacquer is let down by the pressing plant, DG need to up their game with Optimal and push them to make the records with the same level of attention to detail and care that has been demonstrated in the video or sadly I think many will give up on the series especially at the premium prices

  • 2025-06-01 12:59:19 PM

    dean kagawa wrote:

    great! thank you very much.